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Back to Past Exhibitions 2004 - 2008
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October 16, 2003 - February 15, 2004 |
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TOOBA:
Shirin Neshat
As a unique component of the programming related to Hunt for Paradise,
the Asia Society will present the U.S. premiere of Tooba
(2002), a double-screen video installation by the renowned artist
Shirin Neshat. A leading contemporary artist whose videos and photographs
draw upon her Iranian heritage for inspiration, Neshat uses her artwork
to explore her sensitive, complex relationship to her country
of origin. |
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October 16, 2003 - January 18, 2004 |
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Hunt
for Paradise: Court Arts of Iran, 1501-1576
A rare look at the Golden Age of the arts in Iran. The first two shahs
of the Safavid dynasty, the charismatic Isma’il and his son
Tahmasp, promoted a cultural flowering of extraordinary brilliance.
Bringing together for the first time exquisite carpets and textiles,
ceramics, stunning metalwork and illuminated manuscripts and bindings,
the exhibition explores the complex interaction of royal patronage
and religious faith that inspired this remarkable period of artistic
creativity. |
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September 9 - December 14, 2003 |
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Cai
Guo-Qiang An Explosion Event: Light Cycle over Central Park
Asia Society presents an exhibition of gunpowder drawings by the internationally
renowned Chinese artist Cai Guo-Qiang. The artist has created this
series of impressive large-scale drawings as studies for his “explosion”
event in Central Park on September 15 to celebrate the Park’s
150th anniversary. |
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September 11 - 21, 2003 |
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Mandala
Sand Painting: Creating an Enlightened World
This mandala sand painting was a gift to New York City from the Tibetan
Buddhist monks of Drepung Loseling Monastery to commemorate the tragic
events of September 11 and to honor His Holiness the Dalai Lama. |
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June 10 - September 7, 2003 |
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Landscape
of Memory: The Art of Mu Xin
A poignant examination of one of China’s
most significant yet unheralded painters and writers of the latter
half of the twentieth century. Painted in secrecy while in detention,
Mu Xin’s mysterious landscapes are extraordinary syntheses of
classical western and Chinese painting traditions. Also featuring Prison Notes, musings on art and philosophy written on scraps of paper
provided by his captors for enforced self-criticism. |
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May 28 - September 7 |
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March 11 - August 24, 2003 |
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The
World of Buddhism
Drawing on the Rockefeller Collection's rich holdings of Buddhist
art, The World of Buddhism explores key concepts and imagery
of one of the world's great religions. |
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February 4,
2003 - May 11, 2003 |
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Montien
Boonma: Temple of the Mind
This major solo exhibition, focusing on one of Asia's most distinguished
contemporary artists, traces Montien Boonma's artistic development
in the context of his deep faith in Buddhism. Boonma's striking installations,
combining industrial and ephemeral materials such as spices and fragrances,
explore the notion of artworks as contemplative space for viewer's
participation and meditation. |
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October 8,
2002 - February 16, 2003 |
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China
Reconfigured: The Art of Ah Xian
China Refigured
brings together sculptures by contemporary Chinese artist Ah Xian
and a selection of traditional art works drawn principally from the
Rockefeller Collection. By featuring fine examples of traditional porcelain
from the Northern Song (960-1127), Ming (BCE 1368-1644), and Qing
(1644-1912 CE) periods, this exhibition explores the artistic traditions
and cultural context underpinning the work of this contemporary artist.
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October 8, 2002 -
February 16, 2003 |
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From
Court to Caravan Chinese Tomb Sculptures from the Collection of Anthony
M. Solomon
From the Han (206 BCE–CE 220) through the Tang (618–906) periods,
Chinese ceramic sculpture achieved a level of sophistication and vitality
unrivaled by any other ceramic tradition of the ancient world. Drawing
on one of the finest private collections in America, this exhibition
explores the mastery of form and line embodied in these remarkable
Chinese ceramic tomb sculptures. |
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September 19, 2002 -
January 5, 2003 |
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Native
Born: Contemporary Aboriginal Art
An exhibition of paintings and sculptures by distinguished Australian
Aboriginal artists from Ramingining, Arnhem Land in northern Australia.
Arranged according to six different natural environments found in
this region each painting and sculpture illuminates the specific cultural
relationship between the Aboriginal people and the land. |
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November 5 - 10, 2002 |
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Asian
Contemporary Art Week
A six-day, city-wide event focusing attention on the richness and
diversity of Asian and Asian American contemporary art in New York. |
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May 15 -
September 18, 2002 |
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March 19 -
September 17, 2002 |
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Afghan
Eyes: A Culture in Conflict, 1987-1992
Videos and photographs from Afghanistan documenting
the last days of the Soviet invasion, the resulting civil war, and
the post-Cold War era. Taken by Afghans, these videos and photographs
show intimate views of average people carrying out their daily lives
against the backdrop of an intensive guerilla war.
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June 11 -
August 18, 2002 |
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Banaras:
The Luminous City
This exhibition focuses on the historical, religious and cultural
significance of this most important of Indian cities. Banaras is
better known to Hindus as Kashi (the Luminous) or Varanasi (the
city where the Varana and Asi Rivers flow). The city once served
as a nexus for trade and today is one of the oldest living cities
in the world. |
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March 6 -
May 19, 2002 |
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The
New Way of Tea
The aesthetic and choreographed ritual of the tea ceremony is often
seen as the quintessential face of traditional Japan. The exhibition
at the Asia Society and Museum brings this ritual into the twenty-first
century by juxtaposing tearooms and tea utensils created by contemporary
Japanese architects, artists, and designers with those from other
Asian cultures and the West.
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November 17, 2001 -
April 21, 2002 |
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November 17, 2001 -
February 17, 2002 |
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Conversations
with Traditions: Nilima Sheikh and Shahzia Sikander
Conversations with Traditions is a series of exhibitions
that will explore the dialogue between contemporary issues and indigenous
artistic languages expressed in the work of Asian and Asian American
artists. Nilima Sheikh and Shahzia Sikander both claim pre-modern
Rajput and Mughal court (miniature) painting as their artistic lineage,
but the two artists articulate differing relationships with
both the pre-modern court painting traditions and contemporary art
practices. |
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November 17, 2001 -
January 6, 2002 |
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January 31 -
April 1, 2001 |
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Can
We Feed Ourselves? A Focus on Asia
In this haunting yet breathtakingly beautiful visual dossier, eminent
photographer Hiroji Kubota (Magnum Photos) has captured the crisis
of food, population and environment facing Asia. |
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October 10, 2000 -
January 7, 2001 |
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July 12 -
September 17, 2000 |
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Dancing
Demons: Ceremonial Masks of Mongolia
This exhibition presents spectacular 19th-century masks worn by
participants in the Lamaist Buddhist dance ceremonies and shamanistic
rituals of traditional Mongolia. The masks, many depicting fearsome
deities or fantastic animal heads, are lavishly decorated with silk
tassels, gilt bronze ornaments and semi-precious stones. Photographs
of the ceremonies, abruptly wiped out during the Communist purges
of the 1930s, are also included in the exhibition, along with other
ritual paraphernalia. |
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October 8, 1999 -
January 2, 2000 |
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China:
Fifty Years Inside the People's Republic
Drawn to the People's Republic of China by its dramatic upheaval
and its rich cultural legacy, the world's greatest photographers
offer thrilling proof of the power of the camera to explore—and
convey—the human experience. Coinciding with the fiftieth anniversary
of the founding of the People's Republic, China: Fifty Years
Inside the People's Republic presents the work of thirty distinguished
Chinese and Western photographers, conveying the depth of their
involvement in the politics, culture and everyday life of the Chinese
people. |
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March 23 -
November 28, 1999 |
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Fire
Over Earth: Ceramics from the Collection of the Asia Society
The ceramic tradition of East and Southeast Asia, a region rich
in clay and other fusible materials, is unrivalled. In China, earth
(clay) was regarded, along with fire, as two of the "five elements
of the cosmos". This exhibition, comprising more than fifty
pieces drawn from the Asia Society's Mr. and Mrs. John D. Rockefeller
3rd Collection, explores the artistry and technology of Chinese
ceramics and those of the adjacent regions—Japan, Korea, Thailand,
and Vietnam—from the third millennium BCE to the 18th century. |
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February 18 -
June 27, 1999 |
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Bamboo
Masterworks: Japanese Baskets from the Lloyd Cotsen Collection
Japanese bamboo baskets embody a highly distinctive sensitivity
to sculptural form, texture, and pattern unlike that in any other
artistic medium. The Lloyd Cotsen collection of Japanese baskets
is probably the most important in existence, and around 80 of
the finest pieces, selected for their extraordinary beauty, intricate
craftsmanship, rarity, and art historical importance, are presented
to the public for the first time in this exhibition. |
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September 15, 1998 -
January 3, 1999 |
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Inside
Out: New Chinese Art
Inside Out presented the dynamic new art being produced
by artists in mainland China, Taiwan, Hong Kong, and by selected
artists who emigrated to the West in the late 1980s. This section
contains substantial information including more than 20 images;
a full checklist of every work in the show; information on two specially
commissioned pieces by Cai Guo-qiang and Wenda Gu; a work in progress
by the artist Xu Bing available only on our website; a chronology
of the development of contemporary Chinese art in mainland China,
Hong Kong, and Taiwan; biographies of the artists, and more. |
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April 7 -
August 16, 1998 |
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June 9 -
August 16, 1998 |
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 February 11 -
May 3, 1998 |
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September 24, 1997 -
January 4, 1998 |
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