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ASIA SOCIETY PRESENTS
CONCERT OF MONGOLIAN MUSICIANS

Thursday, July 20, 2000, 8:00 P.M.

Concert is part of New York City-wide celebration of Mongolian culture

The Asia Society presents the US debut of Altai Hangai, one of Mongolia's most exciting musical groups. Their concert of traditional music is inspired by the life of nomads and a love of nature---conveying images of travelling in the Mongolian steppe. The repertoire for this concert includes music composed for the horse-head fiddle and folk tunes noted by the fascinating sound of "throat singing." Altai Hangai is presented by the Asia Society at Florence Gould Hall, French Institute/Alliance Française, 22 East 59th Street (between Park and Madison) on Thursday, July 20 at 8:00 P.M. Tickets are $20 ($16 for Asia Society members, $10 for students/seniors) and are available at the Asia Society Box Office at (212) 517-ASIA.

According to Rachel Cooper, Associate Director for Performing Arts and Public Programs at the Asia Society, "We are thrilled to introduce American audiences to these extraordinary musicians. Altai-Hangai has found a balance between traditional and modern elements. They keep their repertoire and inspirational sources fresh by constantly renewing their material, creating musical variations on the spot, improvising lyrics, and making slight adjustments in their arrangements. It's going to be a treat to have them here in New York."

Altai-Hangai, established in 1993, is named after the Altai Mountains and Hangai Steppes, which form large natural areas in West- and Central Mongolia, the area from which the group's musical roots stem. While their basis is in traditional Mongolian music, Altai-Hangai has cooperated with jazz musicians, symphonic orchestras, dancers and actors at numerous venues in Germany, Holland, Denmark, Belgium, Italy, and Norway.

The members of Altai-Hangai include Ganbold Muukhai, born to a family of camel drivers/dancers, musicians and singers and professionally trained at the Music and Dance College in Ulaanbaatar, who plays horse-head fiddle, piano, accordion, and cello; Ganzorig Nergui, who learned to sing and imitate birds on strolls through the steppe with his herdsman father, and is a throat- or overtone singer who also plays the horse-head fiddle; and Byambakhishig Lhagva, the son of a wood carver and singer, who sings and plays the horse-head fiddle.

So important is the horse-head fiddle (called "morin khuur" in Mongolian) that there is a Mongolian saying, "A family should not be without a morin khuur. Without it the family is cursed." The horse-head fiddle is decorated with a horse's head carved from wood, and has two strings made of horsehair. The instrument has a hoarse voice, combined with an unexpectedly clear tone. While resonating, the independent hairs in each string create a diffuse sound of overtones through interference, a quality greatly admired in Mongolia, with many tones seemingly unintentionally jumping around the general melody.

The tovshuur is a plucked instrument with an oval sound-box covered with skin, and is a familiar instrument in Western Mongolia. Legend has it that it was first made from a saucepan for milk and decorated with a swan's head to commemorate a sad story involving a woman with a beautiful voice. The tovshuur is used for the simple but charming accompaniment of singing without having a virtuoso repertoire of its own.

The music Altai Hangai plays can generally be called "tatlagas" - music to commemorate social occasions, both happy and sad or just to play for relaxation. Tatlagas, however, like much of Mongolian culture, differ depending upon the area of the country in which they are performed. This is true of singing styles and techniques, the most famous of which is throat singing, where the singer creates a bitonal sound. Audiences will be able to hear several varieties of singing in the Asia Society concert, as well as Mongolian non-bitonal singing.

Support for Altai Hangai and the Mongolia programs are made possible by the Trust for Mutual Understanding, Frank and Lisina Hoch, John Guth, The Cynthia Hazen Polsky and Leon B. Polsky Fund, Kathryn and Ernest H. Frank, Eleanor Briggs, Susan Lynch, and Frederick W. Richmond.

Support for the Asia Society's Cultural Programs is provided by the Friends of Asian Arts, Wallace-Reader's Digest Funds, The Starr Foundation, The Armand G. Erpf Fund, The Arthur Ross Foundation, the Harold J. and Ruth Newman Philanthropic Fund, and the New York State Council on the Arts.

The Asia Society is America's leading institution dedicated to fostering understanding of Asia and communication between Americans and the peoples of Asia and the Pacific. A nonprofit, nonpartisan educational institution, the Asia Society presents a wide range of programs including major art exhibitions, performances, media programs, international conferences and lectures, and initiatives to improve elementary and secondary education about Asia. The Asia Society is headquartered in New York City, with regional centers in Washington, D.C., Houston, Los Angeles, Hong Kong and Melbourne, Australia, and representative offices in San Francisco, Seattle, Manila and Shanghai. For more information, contact the Asia Society, 725 Park Avenue, New York, NY 10021. (212) 288-6400. (www.asiasociety.org). Note: While the Asia Society headquarters building is undergoing renovations (to be completed Fall 2001), visit us at our interim location, Asia Society at Midtown, 502 Park Avenue (at 59th Street), New York City.

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